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October 28, 2026 · 8 min read

What the Chain Knows About a Song

Putting music onchain means more than selling shares of it. The chain should know what the audio is, and be able to trust it.

October 18, 2026 · 8 min read

Who Stands Between a Fan and an Artist

Follow one Spotify subscription to the people who made the song. Two of the five companies in between only move money. The label and the publisher do real creative work, but they also own the copyright, and that's where their leverage comes from.

October 18, 2026 · 7 min read

Music Is Borderless. Its Royalties Aren't.

One play in Berlin, one American songwriter, two countries' collecting societies and more than a year. The music crosses the border instantly; the money stops at it.

October 18, 2026 · 8 min read

What Music's Royalty Infrastructure Is For

Paying the artist behind a small track now costs more than the track earns. Elsewhere, moving money got cheap where companies had to compete to move it. At music's payment layer, almost nobody does.

September 10, 2026 · 25 min read

Miso - The Financial Rails for Music

Every serious asset class got settlement infrastructure built for it. Music never did... until now.